You don’t have to be a mafia hot shot to appreciate what’s at stake here. Unless you’re travelling to play sports, there’s no valid reason why a grown man should be wearing shorts in public. This rule doesn’t apply to teenagers, since school kids seems obsessed with short pants and hey, why not? But once you’re in your twenties, what possible reason could you have for exposing your knees and calves to the world? This applies double to over-sized jorts.
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Monthly Archives: September 2015
Public Eating Guidelines
There’s nothing worse than seeing some moron walking past you, waving a gyros around recklessly while garlic sauce spills down the front of their deep v-neck t-shirt. Are these characters in such a frantic rush to reach their destination that they can’t sit down at the spot where they purchased their meat sandwich to wolf the thing down without inflicting it upon the rest of us?
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CRC Gets A Mention on the New York Times Popcast
It’s been brought to my attention by Rafi that last month the mighty Conservative Rap Coalition got a mention on Jon Caramanica’s NYT Popcast, as ‘a very real sub-movement that still exists’ in the rap world. Darn tootin’!
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CRC Role Models: Blake from the Wet, Hot American Summer TV Show
It’s been brought to my attention by CRC member Matt Hall that Blake, the so-called evil preppy from Camp Tigerclaw in the Netflix series prequel to 2001’s Hot, Wet American Summer, has taken the Triple Stage Collar Theory to new heights with his three layers of polo shirts at once, as pictured above.
Theoretically, if this was to be combined with a rugby, a spring jacket and an overcoat you could actually achieve six collars at once, which would be a level of flossing so monumental that the earth’s axis might just implode. Helluva way to go though, huh?
Should Kool G Rap have his CRC-Approved status revoked?
The whole Jadakiss debacle was one thing, since he’s no stranger to questionable musical choices, but I’m lost for words after watching the first minute of Kool G Rap and Grant*’s video. For the last ten years or so, many veteran rappers have been forced to do work for hire features with unworthy customers, whether offering their services for $500 a verse on Myspace or hawking their raps on Twitter. It’s painfully clear that the lack of benefits in the music industry have forced some of hip-hop’s legendary lyricists to rhyme for the highest bidder, regardless of talent.
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